This performance by violinist Geneva Lewis and cellist Gabriel Martins took place on Saturday, January 8, 2022 at 2:00 pm.


Program

Composer Work Year
Johan Halvorsen Sarabande con variazioni (arr. Martins) 1897
Heitor Villa-Lobos Five Preludes for Guitar (arr. Martins) 1940
Maurice Ravel Sonata for violin and cello, M. 73 1922
Intermission
Jörg Widmann 24 Duos for violin and cello (selections) 2008
Zoltán Kodály Duo for violin and cello, Op. 7 1914

About the Artists

Geneva Lewis

Geneva Lewis

New Zealand-born violinist Geneva Lewis has forged a reputation as a musician of consummate artistry whose performances speak from and to the heart. Lauded for “remarkable mastery of her instrument” (CVNC) and hailed as “clearly one to watch” (Musical America), Geneva is the recipient of a 2022 Borletti-Buitoni Trust Award, 2021 Avery Fisher Career Grant and Grand Prize winner of the 2020 Concert Artists Guild Competition. Additional accolades include Kronberg Academy’s Prince of Hesse Prize, being named a Performance Today Young Artist in Residence, and Musical America’s New Artist of the Month. Most recently, Geneva was named one of BBC Radio 3’s New Generation Artists.

Since her solo debut at age 11 with the Pasadena POPS, Geneva has gone on to perform with orchestras including the Orpheus Chamber Orchestra, Pasadena Symphony, Sarasota Orchestra, Pensacola Symphony and Duluth Superior Symphony Orchestra and with conductors including Nicholas McGegan, Edwin Outwater, Michael Feinstein, Sameer Patel, Peter Rubardt, and Dirk Meyer. The 2022-23 season includes performances with the Auckland Philharmonia, North Carolina Symphony, Augusta Symphony, Kansas City Symphony, Austin Symphony and Arkansas Symphony. In recital, recent and upcoming highlights include performances at Wigmore Hall, Tippet Rise, Philadelphia Chamber Music Society, Washington Performing Arts, Merkin Hall, and the Dame Myra Hess Memorial Concerts.

Geneva received her Artist Diploma and Bachelor of Music as the recipient of the Charlotte F. Rabb Presidential Scholarship at the New England Conservatory, studying with Miriam Fried. Prior to that, she studied with Aimée Kreston at the Colburn School of Performing Arts. She is currently studying at Kronberg Academy with Professor Mihaela Martin. These studies are funded by the Strauss Family Patronage. Past summers have taken her to the Marlboro Music Festival, Ravinia Steans Institute, Perlman Music Program’s Chamber Workshop, International Holland Music Sessions, Taos School of Music and the Heifetz International Music Institute.

Geneva is currently performing on a composite violin by G.B. Guadagnini, c. 1766, generously on loan from a Charitable Trust.

Gabriel Martins

Gabriel Martins

Cellist Gabriel Martins (b. 1998) has established himself as one of the world’s most enthralling young artists, with a deep commitment to the timeless masterpieces of classical music. His artistry has already been recognized through an extensive list of accolades including the 2020 Concert Artists Guild - Young Classical Artists Trust Grand Prize, the 2020 Sphinx Competition Gold Medal, the David Popper International Cello Competition Gold Medal, the International Tchaikovsky Competition for Young Musicians Silver Medal, the Schadt String Competition Gold Medal, the Orford Music Award, and the Prague Spring Czech Music Fund Prize. These successes have lead to a number of high-profile debuts including Wigmore, Carnegie, and Merkin Halls, the Great Hall of the Moscow Conservatory, Maison Symphonique in Montréal, and the Arkansas, Memphis, Indianapolis, New Russian State, Pacific, and Phoenix Symphony Orchestras. According to legendary cellist Ralph Kirshbaum, he has “revealed heart, passion, intellect, and a finely-nuanced palette of colors in a compelling manner worthy of a seasoned artist.”

Born of American and Brazilian heritage, Martins grew up in Bloomington, Indiana. He began playing the cello when he was five, studying with Susan Moses at the Indiana University String Academy. He went on to receive his B.M. as a Presidential Scholar at the USC Thornton School of Music with Ralph Kirshbaum. In his freshman year at USC, he won the school’s concerto competition as well as its Bach competition. He received his M.M. at the New England Conservatory of Music. His festival appearances have included Ravinia’s Steans Music Institute, where he was also selected to tour with Miriam Fried, and the Aspen Music Festival, where he won the Concerto Competition. He plays on a composite Francesco Ruggieri cello made in Cremona, c. 1690 and a François Nicolas Voirin bow made in Paris, c. 1880.